As the new millennium approaches, e-commerce, PDF workflows, thermal CTP, digital proofing, computerized business management, and digitally equipped, automated printing and finishing technologies played starring roles at GRAPH EXPO 99. The rise of competitive e-commerce networks, PDF workflows, thermal computer-to-plate output devices, digital proofing systems, fully automated printing presses, new press control systems and quick-makeready finishing systems were on display by more than 600 exhibitors at GRAPH EXPO 99 in Chicago. What were the show stoppers? * E-commerce solutions—Internet-based, business-to-business solutions such as Noosh, Impresse, Collabria, 58k.com, PrintNation.com, Printable.com, PaperExchange.com and GraphicsResourceCenter.com, targeting the print procurement, supply purchasing and overall industry education needs of commercial printing,
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Allied Printing has developed a reputation for treating customers like royalty through full-service capabilities and a deadline-conscious, dedicated staff. BY ERIK CAGLE Allied Printing is celebrating its 50th anniversary by following the credo instilled by its founder, John F. Sommers: Never say no to a customer. And while the landscape of the commercial printing industry has witnessed numerous changes in the way business is conducted, it seems that Mr. Sommers' motto has enjoyed a nice, long shelf life. Never saying no, naturally, means always saying yes—an expensive proposition—yet it is one that has worked for Allied Printing Services Inc. Located five miles east of
Expanded color gamuts, strategic digital halftone proofing launches, imposition proofers and multi-setting thermal devices highlighted the digital proofing component of GRAPH EXPO 99. BY MARIE RANOIA ALONSO What were the digital proofing flares shot out at GRAPH EXPO 99? One glaring signal: Digital halftone proofing is still riding a high. Equally hot for the contract proofmakers were new devices offering expanded color gamuts, two-sided imposition proofers, new multi-purpose thermal proofsetters and refined remote proofing promises—all of which captured the attention and scrutiny of show attendees, who are looking to purchase the next contract proofer and want to know . . . Who joined
BY ERIK CAGLE One by one, the staff of Printing Impressions paraded past tables of submissions for the magazine's 13th annual Self-Promotion Contest. As the members perused over the quality promotional pieces, the subject of judging criteria was brought up. What exactly makes one submission stand out from another? It's a good question, one marketing departments and creative gurus have long pondered when developing ideas to tout the virtues of their respective companies. Making matters more difficult, the promotions are being created for marketing in the commercial printing industry, the equivalent of chefs being asked to bring a covered dish to a pot luck
The seminar business is really a branch of show business. There are hits and there are flops. And sometimes it's completely mysterious why one show is a hit and another a flop. Working with Seybold Seminars for the last few years, I've observed the mysterious situation whereby some of the conferences are a much greater success than others. And the exact reason can be tough to pin down. (If it was easy, they'd always be hits!) This year's Seybold San Francisco program was an extraordinary success. Several people told me that it was the best conference they'd been to in the last few years. I'm not
TOKYO—Smaller than two years ago and with fewer visitors, IGAS 1999 nevertheless managed to attract genuine foreign printer-visitors this year. In previous years, foreign interest was shown primarily by dealers and distributors for Japanese equipment and materials, as well as area managers for overseas suppliers. Now, after many years of persistent efforts, the organizers of IGAS have at long last agreed to fit into the four-year cycle of the major international graphic arts shows: Drupa, Ipex and Print. Business in Japan is only beginning to come out of a severe recession. The buying and investment effects of a renewing confidence, though, will probably
By Erik Cagle When Francis Canzano Jr. wasn't looking for technology, it seems technology went looking for Canzano. It all started in the mid-1960s, when Canzano was walking the floor of a trade show in Chicago. He had been looking for a conventional camera and had visited a separation house for a demonstration. The camera was fine; nothing extraordinary. So it was back to the show. Ironically, it took a trip to Hell to land Canzano, president of Acme Printing/World Color New England, in technology heaven and ultimately a place in the 1999 Printing Impressions/RIT Printing Industry Hall of Fame. "I'm roaming around
When Seybold closed the doors to its 1999 San Francisco expo last month, three technology trends stood dominant: the Internet, PDF and the quest for the all-digital workflow. BY MARIE RANOIA ALONSO If one potent word could sum up the energy, enthusiasm and very direction of Seybold San Francisco, held for the final time this century at the Moscone Center last month, it could easily be: Internet. The Internet, the World Wide Web. Seybold San Francisco was a virtual debutante's ball for the global gateway that is the Internet. New companies emerged as major players for the commercial printing market—all gearing to harness the
Wide-format's color proofing media and general-use consumables are expanding the gloss, durability, consistency and color parameters of their imposing output engines. BY MARIE RANOIA ALONSO Whether the intent is outdoor signage or to generate a contract proof, wide-format imaging is only as effective as the media on which the image is output. Naturally, as with every hot new technology, the output engine gets all the hype—which vendors are manufacturing which output devices, what are the output speeds and color consistencies of wide-format printers currently on the market, and what are the price points of these elite output engines? Output, output, output. What about the
A few years ago, Adobe set out on a quest to promote an integrated, flexible printing architecture developed to streamline prepress and production workflows. Today, Adobe Extreme is in place at commercial printers the likes of Johnson Printing. Is the Colorado-based printer's experience with the new printing architecture truly extreme? Printing Impressions sought the answer. BY MARIE RANOIA ALONSO Faster prepress. This was a primary goal for Johnson Printing, a Boulder, CO-based commercial printing operation with its sights set on adopting Adobe PDF. Circa late 1998, prepress employees at Johnson worked on different computers with expensive, proprietary software that required customer materials to
