Presstek Inc.

With NexPress 2100 unveiled, Heidelberg ready for the Xerox challenge, Indigo and Xeikon bolstered, Screen showing intent, Presstek enabling on-press imaging for Adast, Ryobi, Sakurai and soon Didde—and more manufacturers, not the least of which is MAN Roland, targeting full-production digital—there is a new zest to digital printing. It ain't just about on-demand any more . . . BY MARIE RANOIA ALONSO Say goodbye to on-demand digital printing—at least the on-demand part. It is now June 2000, the much hyped DRUPA 2000 is over and the digital production color press is an emerging force to be taken very seriously by even the most

BY CHERYL A. ADAMS In the great digital plate debate, the stakes are high, competition is fierce and expert opinions are numerous . . . "Thermal is dead!" "Visible light will fade away!" "Polyester is taboo!" "Blue laser diode isn't a technological breakthrough, it's a setback!" "Anything but silverless UV CTP is economically unsound!" When the dust settles, which consumables (and related technologies) will be left standing? Which ones will not only survive, but thrive in a future where print will compete with other media channels and other digital printing options, such as distribute-and-print, and the Internet? As more commercial printers address the transition

On the bill for DRUPA 2000 are a virtual army of new imagesetters, a variety of digital platesetters, plus PDF tools, new thermal consumables and scanning systems galore. BY MARIE RANOIA ALONSO It seems almost ironic that, after DRUPA 1995 called for the prepress industry to move its collective reasoning away from film-based environments and toward the promise of thermal CTP, that DRUPA 2000 would arrive, after much anticipation and press attention, and tout almost the opposite. Film is not dead. Imagesetters are still hot technologies. Guess what, so are platesetting devices for conventional and thermal CTP; so are new digital proofers; and so

The DRUPA exhibition, scheduled for May 18-31, in Dusseldorf, Germany, is now just one month away. Digital prepress technology trends targeting the international show include new PDF-based workflows, new color management tools and a variety of solutions to further automate front-end functionality. To map out the digital prepress direction of DRUPA 2000, Printing Impressions went direct to the sources . . . Vector VersatilityDennis Aubrey, CEO of the Altamira Group, on the limitless nature of images at DRUPA 2000 and into the next year—when digital images are no longer restricted in size or resolution. The year 2000 will see a production world in which

DRUPA 1995 was the beginning of the thermal computer-to-plate frenzy. Leading the charge: Creo and Kodak. Five years later, new platesetting initiatives are poised for DRUPA 2000. What digital platesetters will be announced at DRUPA 2000? Dusseldorf, Germany, holds the answers. BY MARIE RANOIA ALONSO At DRUPA 1995, a tiny Creo Products—tiny compared with the CTP giants Linotype-Hell, Gerber and Scitex— touted the production and workflow merits of thermal CTP for commercial printing. Creo's message was all thermal. Kodak consumables were Creo's enabling technology, bridging Creo's thermal output engines with the digital plate production demands of the average commercial printer. Who didn't take

Blue laser diode platesetters (that actually emit energy in the violet spectrum) will be in vogue this year. Who will be the customer of choice for these technologically advanced units? What consumables (silver-based or negative-working conventional plates, for instance) will support a "true blue" 2000? Read on. . . BY MARIE RANOIA ALONSO Blame Sony. For that matter, blame Pioneer. (Or, depending on where you sit on the issue, thank them.) These two major Japanese suppliers are feeding the race to develop the perfect blue-laser-based, gallium-nitride disk player, both trailing the current leader, Nichia Chemical Industries. Why should you care? Blue

As the new millennium approaches, e-commerce, PDF workflows, thermal CTP, digital proofing, computerized business management, and digitally equipped, automated printing and finishing technologies played starring roles at GRAPH EXPO 99. The rise of competitive e-commerce networks, PDF workflows, thermal computer-to-plate output devices, digital proofing systems, fully automated printing presses, new press control systems and quick-makeready finishing systems were on display by more than 600 exhibitors at GRAPH EXPO 99 in Chicago. What were the show stoppers? * E-commerce solutions—Internet-based, business-to-business solutions such as Noosh, Impresse, Collabria, 58k.com, PrintNation.com, Printable.com, PaperExchange.com and GraphicsResourceCenter.com, targeting the print procurement, supply purchasing and overall industry education needs of commercial printing,

Allied Printing has developed a reputation for treating customers like royalty through full-service capabilities and a deadline-conscious, dedicated staff. BY ERIK CAGLE Allied Printing is celebrating its 50th anniversary by following the credo instilled by its founder, John F. Sommers: Never say no to a customer. And while the landscape of the commercial printing industry has witnessed numerous changes in the way business is conducted, it seems that Mr. Sommers' motto has enjoyed a nice, long shelf life. Never saying no, naturally, means always saying yes—an expensive proposition—yet it is one that has worked for Allied Printing Services Inc. Located five miles east of

Expanded color gamuts, strategic digital halftone proofing launches, imposition proofers and multi-setting thermal devices highlighted the digital proofing component of GRAPH EXPO 99. BY MARIE RANOIA ALONSO What were the digital proofing flares shot out at GRAPH EXPO 99? One glaring signal: Digital halftone proofing is still riding a high. Equally hot for the contract proofmakers were new devices offering expanded color gamuts, two-sided imposition proofers, new multi-purpose thermal proofsetters and refined remote proofing promises—all of which captured the attention and scrutiny of show attendees, who are looking to purchase the next contract proofer and want to know . . . Who joined

TOKYO—Smaller than two years ago and with fewer visitors, IGAS 1999 nevertheless managed to attract genuine foreign printer-visitors this year. In previous years, foreign interest was shown primarily by dealers and distributors for Japanese equipment and materials, as well as area managers for overseas suppliers. Now, after many years of persistent efforts, the organizers of IGAS have at long last agreed to fit into the four-year cycle of the major international graphic arts shows: Drupa, Ipex and Print. Business in Japan is only beginning to come out of a severe recession. The buying and investment effects of a renewing confidence, though, will probably