Software - Web-to-print

BY MARIE RANOIA ALONSO The seventh installment of Printing Impressions' ongoing focus on CIP3 visits ScriptWorks RIP manufacturer Harlequin, an early member of the CIP3 consortium. Currently in the final stages of beta testing a plug-in for CIP3's Print Production Format (PPF), Harlequin is working with its team of leading prepress OEMs to navigate the cutting edge of CIP3 developments. FACT: NO longer are components of a prepress environment expected to work as an independent module of a commercial printing operation. Instead, the electronic prepress department is called upon, more and more, to function as the first leg of an advanced digital journey that ends

BY MARIE RANOIA ALONSO Color management systems, woven into digital proofing devices, are trying to deliver—and some argue are now delivering—effective, repeatable digital bluelines. Up-and-coming models for standardization, from commonly used International Color Consortium (ICC) profiles to new initiatives from the General Requirements for Applications in Commercial Offset Lithography (GRACoL), are refining the color delivery potential of the digital proofer. To better gain a proof positive perspective on the performance of color in today's digital proofing environment and what the market has and will soon have to offer, Printing Impressions polled a sampling of technology providers. On a company by company basis,

BY MARIE RANOIA ALONSO Handling the sheer volume of scans seems to be a more daunting, more demanding task. It isn't solely the imagination of your prepress manager. Lucky for the prepress manager, scanning has been brought to an all-time level of ease, thanks to a robust product market laden with devices that boast built-in gradation curves, preset color look-up tables and expanded capabilities to digitize reflective and transmissive art at an impressive array of scanning depths and optical densities. From the AgfaScan T-5000 from Agfa Div., Bayer Corp., to the vertical-drum Tango from Heidelberg Prepress to the Fuji C-550 or the EverSmart

BY MARIE RANOIA ALONSO The sixth installment of Printing Impressions' yearlong focus on CIP3 activities turns to Agfa Div., Bayer Corp., and the prepress innovator's introduction of CIP3-compliant architecture within its Apogee PDF-based Workflow Production System. Apogee PrintDrive, a multi-page buffer for more than one RIP, is the newest member of Agfa's family of RIPs—and its most innovative workflow enhancement, to date, from a CIP3 standpoint. Currently, Agfa, one of the founding members of the CIP3 consortium, is working closely with MAN Roland and other press manufacturers to define and refine the digital links between prepress and press. Apogee, which comprises the Apogee

The fifth installment of Printing Impressions' ongoing focus on CIP3 activities targets the integration power of MAN Roland's PECOM networking system. PECOM, including the PPI2 prepress interface and Technical Press Preparation (TPP) workstation, links MAN Roland's open architecture CIP3-compliant fiber-optic based Roland 300, 700 and 900 sheetfed and ROTOMAN web presses with other devices. It uses the Print Production Format (PPF) file structure established by the CIP3 consortium. In digital prepress, sophisticated front-end technology obsolescence occurs every 18 months or even far sooner. In the pressroom, however, change is far less accelerated. A printer will buy a printing press and, while digital upgrades and

What's happening in the world of digital halftone proofing? With new devices from Creo, Polaroid, Presstek, Screen and other technology innovators deep into beta testing and beyond, a number of commercial printers and prepress firms are taking note of the growing digital halftone proofing market. While digital halftone proofing may not be for everyone, it is proving itself a viable technology for consideration in digital environments, such as direct-to-plate prepress departments. In this focus on the emergence of digital halftone proofing, Printing Impressions offers a resource for your firm's continued evaluation of this color proofing movement. United Lithograph, of Somerville, MA,

They're on their third incarnation, and going strong. It's the Heidelberg Digital Imaging Association (HDIA), formerly the Linotype-Hell Users Group, formerly the Hell Users Group. Comprising users of (former) Hell ChromaCom systems and scanners, (former) Linotype imagesetters and systems, and Heidelberg DI presses, the group appeared vibrant and prosperous at its mid-February annual meeting, held near Heidelberg USA headquarters in Atlanta. With all the troubles that have befallen the Scitex Graphic Arts Users Association in recent years, the HDIA has become the largest and most successful of the remaining graphic arts users groups. Attending (and speaking at) the Atlanta meeting, I thought it immediately apparent

The fourth installment of Printing Impressions' year-long CIP3 focus profiles the prepress and press projections of Heidelberg—the founding father of the CIP3 consortium. Now, with Delta Technology's PressGate from Heidelberg Prepress serving as a CIP3 enabling tool for the German press maker, the megasupplier is moving closer to automating the print production process from prepress through postpress. If one company needed to embody the objectives of the CIP3 movement—establish and implement a seamless digital workflow from prepress to postpress—it was Heidelberg. The founder of the CIP3 initiative, Heidelberg is the new name in prepress production, as well as an established goliath in the pressroom and

Your company is going through change—change that requires training—training that requires manuals. So you print out documentation that describes the new procedures and policies. Unfortunately, the moment you distribute the manuals, they become obsolete. Certain documentation in certain departments demands additions. What do you do? Painstakingly track down the erroneous manuals, fix them, then send them back? Yeah, right. "Nobody ever chases down and updates the 100 copies that were distributed," notes Gerry Thornton, director of information services at Lehigh Press in Cherry Hill, NJ. Now, picture this scenario. Instead of printing and distributing manuals, you post all of the pages electronically in

When do you think about your server? Probably not until something goes wrong. When the network is running smoothly, jobs are being routed seamlessly from prepress station to prepress station and performance is consistent— despite the large volume of digital data. The server may be the central player in a prepress environment, but, for all intents and purposes, it's an invisible man—until a network crash demands immediate attention. "Getting the best service from your server inevitably leads to a discussion about performance, because the primary objective in a production environment is to keep the [prep] work moving and the presses running," asserts