Wide-format Color Printers–Riding the (Tidal) Wave of Profits
What does an artist, advertiser, attorney, author, architectural engineer, fashion designer, grocer, manufacturer, photographer, promoter and retailer have in common? They produce top-quality products using the same “medium”—wide-format printing (WFP).
Which makes all of these professionals (and countless others) potential print customers. Commercial and quick printers, copy shops and service bureaus are turning to wide-format printing for low-volume, high-profit business—and they’re doing it in record numbers.
Last year, more than 15,000 WFP systems were installed nationwide, with another 50,000-plus units projected for installation by the year 2000. Furthermore, industry experts predict that by the turn of the century, sales will reach an estimated $19 billion.
Business is booming due, in part, to continuous improvements in WFP’s resolution, speed, color, digital capabilities and substrates. While not a “plug-and-go” system, wide-format printers are now capable of running hundreds of square feet per hour, using up to eight color heads, in 62˝ widths, with 1,200 dpi, on a multitude of new substrates.
Traditionally, WFP products weren’t meant for closeup viewing, so the marble-sized dots on billboards looked perfectly fine as you passed them on the freeway. However, as resolution increased so has WFP’s ability to withstand a more critical, closer-range eye.
These humongous high-quality products are not only opening eyes, but new business doors.
Take, for example, San Diego-based Tiger ReproGraphics, which reports a 35- to 40-percent increase in business since installing ENCAD Pro 36 and Pro 50 printers.
“Wide-format printing has drastically expanded our other services,” says Assistant Manager Barry Calabrese. “We do a lot of life-size celebrity cutouts, which puts our mounting and laminating equipment to work eight hours a day. We had to upgrade our mounting machine and add another Mac just to keep up with business.”
Michael Type & Graphics, of Media, PA, started out with a 36˝ LaserMaster in 1995, bought an identical unit in ’96, then installed a 62˝ ColorSpan (formerly LaserMaster) DisplayMaker last fall.