Flint Group Provides Insight into Expected Raw Material Cost Developments in 2012
LUXEMBOURG—March 9, 2012—“There is a misplaced view that raw material costs for the graphic art industry are coming down” says Jan Paul van der Velde, senior vice president procurement of Flint Group. “After more than 1.5 years of costs constantly increasing, people have clearly been looking for good news and the fact that we witnessed prices generally stabilize in the fourth quarter of 2011, caused a sensing that things were actually improving. The fact that people were hearing on an almost daily basis about the economic crisis, prompted them to also assume that these difficult times would contribute to raw material costs going down.”
Continues van der Velde, “The reality is that, with the exception of gum rosin, which dropped a bit in Q4 and Q1 but is now already on the way back up, hardly any materials dropped significantly in price. In fact, most materials stabilized at high levels or with very minor reductions, but when compared to the increases we have seen, they are still at near record levels. Overall costs for the ink industry will be higher in 2012 than they were in 2011, which had itself been a record high year.”
The price of crude oil in 2011 was, on average, higher than in 2008, when there was talk of a crude oil crisis. In 2012, prices have already crept almost silently past 2011 figures. Crude is the single largest cost driver for the ink industry, with many materials linked to it—such as mineral oils, hydrocarbon resins, carbon black and solvents in addition to many other chemicals that are also indirectly linked to crude.
“Crude is also a good example of how raw materials have resisted the current economic conditions to remain at record high prices. Of course there is the tension in the Middle East, but it is demand and speculation that has driven the prices and unfortunately this situation has also been replicated in the costs of many of our own base chemicals such as benzene, toluene, styrene, propylene etc.,” van der Velde adds.
“The crude oil costing has a significant knock on effect and is a good example of the challenges that the ink producers have these days, due to the high costs of phenolic resins, many ink producers introduced hybrids in 2011, which are based on a combination of Phenolic - and HydroCarbon resins. However due to the crude increases this cost effective alternative is gone.
“Unfortunately I believe we are running out of alternatives to protect our customers fully for the inevitable; costs will continue to rise in the next few years due to the trend of increasing raw material costs caused by the global increased shortages and the better cost / price management of the chemical giants. Further speculation on major commodities will only further serve to compound the negative price effect,” van der Velde predicts.
“The ink industry is somewhat dependent on materials coming from China,” he continues. “Actually if you produce pigments, in China, India, Europe or the US, many of the intermediates are only available from China. Also for key intermediates for UV-materials and other specialty materials China has the key for the costs.
“Further, 70 percent of the world production of gum rosin is Chinese origin. With the strength of the Chinese currency (Yuan) vs. the USD and the ongoing 5 percent revaluation annually, pigments and all other Chinese origin materials will continue to increase in cost. Add to that the increased costs of environment in China and India, the container transport costs and for those based in Europe the weakness of the Euro and you already have quite a difficult cost scenario,” adds van der Velde.
“Specific materials also have their own issues. Yellow pigments are expected to increase sharply in price in Q2, driven by the sharp increases of Benzene in China. Blue pigments are under pressure due to Copper and PA. The story of TiO2 is even more frightening with all producers again announcing major price increases which will be the 6th quarter in a row. Further due to the increases in styrene and propylene we will also see water based resins and UV resins increase,” he says.
“What surprises me is that the graphic arts industry seems to deny the facts. Of course nobody likes to talk about cost increases, but the customer has the right to know. We understand that our customers commit themselves to forward contracts with their customers based on their knowledge of costs developments. Flint Group has been a leader in sharing information with our customers about issues affecting the worldwide supply of critical raw materials,” van der Velde concludes.
About Flint Group
Flint Group is dedicated to serving the global printing and packaging industry. The company develops, manufactures and markets an extensive portfolio of printing consumables, including: a vast range of conventional and energy curable inks and coatings for most offset, flexographic and gravure applications; pressroom chemicals, printing blankets and sleeves for offset printing; photopolymer printing plates and sleeves, platemaking equipment and flexographic sleeve systems; pigments and additives for use in inks and other colorant applications. With a strong customer focus, unmatched service and support, and superior products, Flint Group strives to provide exceptional value, consistent quality and continuous innovation to customers around the world. Headquartered in Luxembourg, Flint Group employs some 6900 people. Revenues for 2011 were € 2.2 billion ($3 billion). On a worldwide basis, the company is the number one or number two supplier in every major market segment it serves.