The Secret Power of Razzleberry
The pink was so bright it could have done some serious eye damage. Yet as the designer had cleverly flooded the sheet with lots of black—leaving out small areas to mark intricate patterns—the poster was eye catching and memorable.
Why am I telling you about the limited edition Art X 2013 Commemorative Poster? Was it the largest poster ever? Au contraire. At 11×17″, it was on the small side. Was it the most elaborately printed poster? Nope; it was simply screen printed, and with only one color at that.
The reason I am telling you about it is to remind you (and myself, for that matter) that sometimes a paper’s color is its most powerful, and often most undervalued, asset.
In this case, the designer had chosen French Paper Pop-Tone Razzleberry as the basis for his poster. Razzleberry has a nice pink fluorescent touch without being blindingly bright.
As only 100 posters were printed in all, one could argue that a quick digital print job on your standard white sheet would have done the trick. But as much as I love digital print, there are just certain colors that we are not able to recreate—at least not yet—and razzleberry and its equally bright sisters (or metallic cousins) are among them.
Fact is that a colored sheet makes a marvelous base for a number of outstanding marketing pieces—and I am not talking fluorescent, eye-catching fliers that announce your next garage sale. Granted, if you are looking to print a four-color job, the shade of your base sheet will greatly influence your overall color outcome, under-printing or not.
But there are times—and these are my personal favorites—when we can utilize the special effects of a colored sheet that are possible in combination with the tactile experience of holding the piece.