Can you imagine having the most used area in your home under construction and in semi working order for almost seven months? A couple of years ago my wife and I spent almost 30 weeks, mostly weekends, remodeling our kitchen while trying to keep our family functioning at a half way normal pace.
We had decided rather than replacing the builder’s grade cabinets we would add decorative trim and refinish them using an antiquing process that we had seen elsewhere in the past. Having the tools and knowledge, along with a very talented and creative wife, we established our design and went forward.
After endless hours of sanding, two coats of primer, three coats of paint, days of applying the glaze and an additional four coats of clear polyurethane, we completed phase one of the remodeling. This part of the project was done over a total span of four months, which again, involved mostly weekends.
Now I have a better appreciation of why the companies offering these services were so expensive. This antique process takes a great deal of patience, time and effort to accomplish the proper results. Most important are the many drying hours in between coats. You cannot obtain the dramatic effects you’re after without the prior application being thoroughly dry.
Consider what takes place when you are using the conventional print process or wet trap. Some of the ink film will transfer from unit to unit and from color to color. This results directly in a semi migration process. Now add the fact of the absorption that takes place within the stock. What’s your end product? Normal four-color process printed on an offset stock.
Those currently with UV capabilities would agree that the UV process over standard conventional printing lets you achieve better results while experiencing extreme hold out on offset substrates. This results in a much more vibrant product with a greater impact.