Agfa Graphics

CHICAGO—What were the odds that GRAPH EXPO 98 would be a Show of Shows—when the international spectacles that are IPEX and PRINT 97 captured the printing industry's collective practically within the same 12 month span, with IPEX in September and PRINT 97 the previous September? How about $108 million to one? If you're talking GRAPH EXPO and CONVERTING EXPO, that's not bad—that's the figure Heidelberg registered during GRAPH EXPO's four-day stay at McCormick Place here. Heidelberg's sales success was not singular. Scores of the show's more than 550 exhibitors reported GRAPH EXPO was a money maker. MAN Roland, for example, reported a

BY MARIE RANOIA ALONSO As 1998 moves to a close, CIP3 moves closer to its mission: full digital integration of prepress to postpress production. Will it really fly? It's already soaring. AS 1998 posts its final days, the major technology players motivating the adoption of CIP3's Print Production Format (PPF) are forecasting that the international effort to digitize the print process from prepress to postpress stages is in store for a happy new year. The workflow vision of technology providers the likes of PDF's parent, Adobe, and imposition software developer Ultimate Technographics; prepress providers including Agfa, BARCO Graphics, Creo, Fujifilm, Scitex and Screen; hard

GRAPH EXPO 98 and CONVERTING EXPO 98 was a hot ticket—sales were robust, booth traffic was brisk, technology advancements fierce and cooperative announcements healthy. BY MARIE RANOIA ALONSO Question pondered: Could GRAPH EXPO 98 be a "Show of Shows," when the international spectacles that were IPEX 98 and PRINT 97 captured the printing industry's collective practically within the same 12-month span, with IPEX in September and PRINT 97 the previous September? Does $108 million answer that? That's the figure Heidelberg reported it registered during the show's four-day tour of Chicago's McCormick Place recently. Heidelberg's success was not singular. Scores of the show's more than

Existing in a market that's changing almost as rapidly as is the market of its competitive counterpart, today's imagesetter is showing that delivering PDF performance and end-to-end productivity isn't purely the direction of the digital platesetter. BY MARIE RANOIA ALONSO With all the talk about the digital platesetter, the imagesetter is often overlooked. Should an investment even be made in an imagesetter when so much enthusiasm and technology are being placed in the conventional and thermal CTP direction? Does the imagesetter still remain a staple, smart investment for prepress environments poised for eventual full-tilt digital workflows? Make no mistake. The answer is YES. Imagesetting

BIRMINHAM, UK—Technology innovators in prepress, press and postpress turned their collective attention to England recently as IPEX drew global crowds to this industrial city. Heidelberg rolled out the Speedmaster 74 DI, Screen jumped into the digital press ring with TruePress, Kodak Polychrome Graphics touted Kodak Approval XP4, Scitex marketed its Lotem family of platesetters, and Agfa Div., Bayer Corp., put the spotlight on Thermostar P970 and P971 for 830nm and 1,064nm thermal CTP, respectively. Technology highlights turned to new innovations in color management, thermal CTP, digital offset presses, variable data software enhancements, digital color proofing innovations, new scanning systems, large-format printing solutions, imagesetters and

As more digital color presses hit the market, traditional offset operations, like Dallas-based Harper House, are going on-demand. BY MARIE RANOIA ALONSO Is investing in a digital color press the right move for progressive, commercial offset printing operations? Buy now, buy later? Buy what? Buy from whom? Why buy at all? The pressure to purchase a digital color printing device or full-force digital color press is only going to get more intense, as more digital color output products—conceptualized and marketed specifically to bolster today's offset printing operation—hit the market. It seems obvious that today's typical offset printing operation—often rooted in tradition and craftsmanship, and rigidly opposed to

As the commercial printing segment absorbs more digital presses, the promise of digital links—such as Agfa's PrintCast—adds profit potential to the on-demand investment. BY MARIE RANOIA ALONSO One year ago, PrintCast was launched. It was to be a digital link, a worldwide facilitator of distribute-and-print capabilities. Agfa had a vision for PrintCast: a distribute-and-print network with a hub operation based in Agfa's Wilmington, MA, facility that would digitally—via ISDN—link all Chromapress installations. The objective was clear. The PrintCast hub, the nerve center of the distribute-and-print network, would consist of dedicated facilities, personnel and equipment—all connected by high-speed ISDN links to Chromapress customer locations interested

The teeming class of digital color presses seems to be on the verge of a graduation of sorts. Xeikon celebrated the shipment of its 1,000th digital color press earlier this year, a DCP/32D. Indigo reports well over 1,000 E-Print shipments globally. Xerox boasts more than 4,000 DocuColor 40 units installed worldwide. Heidelberg's Quickmaster DI continues to flood the market. All this is happening just as Agfa's variable printing Chromapress and the Scitex/KBA-Planeta Karat continue to push the technology forward. But that doesn't mean new classmates, like Screen's recently launched TruePress and the Quickmaster's big brother, the new Speedmaster 74 DI, aren't ready to

In the commercial printing market, one technology no longer fits all. Methods for putting ink on paper have multiplied like rabbits. Today's print buyers can choose the method that precisely matches their needs for volume, quality and turnaround. That leaves printers looking for new business strategies. RPL Graphics believes it has found one. This Northern California printer, with annual sales topping $4.6 million, has transformed itself in the last few years and now offers a mix of services aimed at filling every need a customer might have. Company ProfileName: RPL GraphicsLocation: Dublin, CAEmployees: 31Annual Sales: $4.6 millionFamily-owned RPL has 31 employees in three plants

Selling printing has always been a challenge, but never more so than today. Not only is there significant competition in every market segment, but arcane issues such as gamut limitations and color reproduction can make the press sheet seem like a compromise compared to the proof. COMPANY PROFILEName: McCord PrintingLocation: DallasEmployees: 90Annual Sales: $13 millionKey Markets: Advertising agencies, corporate work.One commercial printer has found a solution to this problem: going direct-to-plate. McCord Printing installed an Agfa Galileo computer-to-plate (CTP) system. "We no longer have to sell 'down' from the proof or tell the customer that's as close as we can get to the proof," explains Mickey