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Mary Schilling

Inkjet Genie

By Mary Schilling

About Mary

Mary Schilling works with all the elements of the digital process-from conventional and inkjet technologies to fluids and substrates-and provides technical support to print providers on optimizing print quality while lowering total print cost.

Understanding the dynamics of the digital marketplace, and the incredible growth and advancements in inkjet technology, Mary provides customers with print quality, color gamut, fluid consumption, machine and print quality analysis, utilizing G7 methodology. She also works with inkjet fluid and machine developers to align paper development of new, innovative inkjet substrates.

As the owner of Schilling Inkjet Consulting, she consults with fluid and inkjet machinery suppliers and end users on how to improve color and print quality for paper, plastics, metal, fabric and glass with UV, solvent and aqueous inkjet fluids.

Mary received Innovator of the Year awards from the Flexographic Technical Association and from Xplor International for her efforts in closing the gap between document printing and digital packaging.

She is G7 certified and a member of the IDEAlliance Print Properties Committee.

 

G7 for High-Speed Aqueous Inkjet, Yes You Can!

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The printing industry has always compared any new printing technology to the printing quality of offset. Ink sits on top of the paper surface with high color densities and minimal absorption.

Traditionally, measuring how well a technology matches to offset printing is based on a Delta E measure, averaged over several 1617 patch test targets called an IT8.7/4.

But how do you measure or control a process that does not have controlled ink color standards and print quality changes per OEM? A process in which the inks dry by absorption and are not ISO controlled.

G7 Gray Balance. Not to be confused with G7 Color.

Since we can’t control the color standards of the aqueous process ink colors, nor the densities, in most cases when using aqueous inkjet pigment and dye inks on inkjet on inkjet coated and treated papers, we can achieve neutral gray balance with different saturated or ink hues.

Because we see differences in gray more than more saturated colors, G7 Gray creates a closer visual "matching" to other printing devices than matching solid ink densities. This method is all about the gray balance.

HP, Canon Solutions (Océ), Ricoh and Screen high-speed aqueous inkjet devices all have different processes for profiling and controlling color. The G7 process is best utilized by entering the adjusted color curves directly on the machine (if possible) after uniformity and maximum density adjustment on the machine is complete, or applying the curves at the RIP. You can also apply as early binding using preflight software such as t-Flow Production Software, which allows G7 curve data adjustment directly to the .pdf previous to the machine. This is especially handy since making color and profiling changes on high-speed aqueous inkjet machines is quite tedious.

The goal of G7 Gray Balance is to create a visually consistent and repeatable neutral gray color.

Remember, as always, choosing an inkjet-compatible paper will provide a more stable platform to print to G7 Gray. Some coated inkjet papers using aqueous pigment inks will even achieve G7 Color.

G7 Gray Balance is defined by the Print Properties and Colorimetrics Working Group of IDEAlliance.

How do you currently measure, match or control your high-speed aqueous inkjet processes? Do you care about achieving a closer visual match on your high-speed aqueous devices to toner and offset? Is this important to you and/or your customers?

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