Sabine Lenz is the founder of PaperSpecs.com, the first online paper database and community specifically designed for paper specifiers.
Growing up in Germany, Sabine started her design career in Frankfurt, before moving to Australia and then the United States. She has worked on design projects ranging from corporate identities to major road shows and product launches. From start-ups to Fortune 500 companies, her list of clients included Oracle, Sun Microsystems, Deutsche Bank, IBM and KPMG.
Seeing designers struggle worldwide to stay current with new papers and paper trends inspired Sabine to create PaperSpecs, an independent and comprehensive Web-based paper database and weekly e-newsletter. She is also a speaker on paper issues and the paper industry. Some refer to her lovingly as the "paper queen" who combines her passion for this wonderful substrate called paper with a hands-on approach to sharing her knowledge.
“I need a reliable source for raised-print business cards.” Sounds simple enough doesn’t it? But wait...“The raised print is a design and not lettering.” Now we are narrowing it down.
And still, some of the offers of help in this discussion centered around Thermography. Really, did you not read what I read? Others offered to print the cards in China. Hello, we are talking 5,000 business cards here.
While my initial frustration focused on the fact that the print buyer asking for help did not clearly describe what she needed, I ended up being even more frustrated with some of the answers she received.
"Still, this was a much clearer description than many others I get," said Louise Kralka, vice president of sales and marketing at PDI Inc. Her suggestion in this commotion was clear and precise, and right where I thought the print buyer ought to go.
"PDI can print a raised dimensional varnish inline on our NexPress SX3300," Kralka suggested. "The NexPress prints CMYK and the raised varnish is laid down inline with the 5th unit." Exactly.
There are several benefits to the dimensional clear varnish:
While these options are compelling, one thing has become crystal clear: 95 percent of your clients are not precise in what they want; they probably do not know the terminology. Nor are they aware of what is on offer, what the newest technologies are, and why one will work better for them than another.
“Usually clients know what they want the end result to look like,” said Kralka. “And if they do not express it very well, you have to find out what effect they are looking for. You have to translate [from design speak to print speak], educate, and guess along the way till you are both on the same page.”